Tuesday, July 25, 2017

Lostgens' 學社:藝術哲學2

課程大綱:

第一課 中國藝術精神緒論
第二課 天人合一
第三課 道家空間1-山水畫
第四課 道家空間2-氣論
第五課 書法美學
第六課 中國與抽象繪畫
第七課 中國人物畫要旨
第八課 中國人格美學
第九課 甚麼是意境1
第十課 甚麼是意境2
第十一課 志怪-鬼與美學1
第十二課 志怪-鬼與美學2

課程介紹:

就課程的設計而言,本課程是2017年4月到6月<中國藝術哲學>的進階版。
即,上一系列<中國藝術哲學>的課程內容是在整理一些中國美學的時空背景和基礎概念。已經在課堂上討論的內容,計有「中國藝術的起源」、「本質」、「道」、「老子」、「石頭」、「象形文字」、「甲骨文」、「藝術之死」等。  
接下來的課程,我們將進一步從哲學上探討中國藝術精神中的「空」、「平淡」、「象」、「虛」、「抽象」、「意境」等概念。
在<中國藝術哲學>,我們已經說明了中國人不穿國王新衣和不出現藝術之死的哲學理由。與之不同,<中國藝術哲學2>將會較多從作品出發去進行論述。

課程內容:

羅聘-齊白石-空-環境美學-孟浩然-志怪-裸體-能量美學-李賀-周易-味-稽康-妙─和-山水畫-大巧若拙─唐伯虎-得意忘象-超真實-傳神-觀物取象-滌除玄鑒-大音希聲-張大千-禪境-天籟-莊子-春宮畫-返虛入渾-郎世寧-象外之象-吳帶當風-隱士-潑墨法-遠-天人合一-米家山水-王維-文人畫-陳洪綬-氣-心齋-無用之用-李白-徐渭-意境-高行健-房中術-王維-苦瓜和尚-平淡-顧愷之-突現美學-徐克-唐詩-黃公望-蘇軾-米芾-林壽宇-八大山人-李公麟-揚州八怪
 


講師:卡夕
80後,台灣中興大學中文系學士,台灣中央大學哲學碩士
(十二堂課)
開課:15/8/2017 -31/ 10/ 2017 (每逢星期二)
時間:8:00pm -10:00pm
地點: Lostgens‘ 當代藝術空間
8c, Jln Panggung, 50000 KL.

We Will Not Be Moved


Community Discussion

We Will Not Be Moved: Fighting Urban Displacement in New York's Chinatown

How is displacement happening in New York's Chinatown today? What is being done to fight it? What is the role of art in that struggle? How does this connect to Petaling Street?

Join us for a discussion with Huiying B. Chan, a Chinese American poet and community organizer from New York City. Huiying will share stories of Chinese immigrants fighting against evictions and landlord harassment to preserve a changing Chinatown. They will also connect this to Chinese diaspora communities globally from their current project studying Chinatowns around the world.

About

Huiying B. Chan 陳慧瑩 is a soft dandelion born and raised in NYC. Huiying is rooted in New York's Chinatown has worked with tenants to fight urban displacement both through organizing and the arts with the Chinatown Art Brigade and CAAAV: Organizing Asian Communities. This past year, Huiying received a Traveling Fellowship from Wellesley College to study Chinatowns around the world documenting stories of migration. This is part of their greater project exploring ideas of "home." They have been traveling solo for the past 11 months living in and meeting Chinese communities in Peru, Cuba, South Africa, Vietnam, Singapore and Malaysia.

You can find their writing on: rememberingourlight.wordpress.com

Tuesday, May 30, 2017

中國藝術哲學

中國藝術哲學








課程大綱:

在現代美學中,詩人以自刎作為自己最終的歸宿,似乎成了一整個時代的藝術時尚。梵谷,海明威,吳爾芙,三島由紀夫,川端康成,KURT COBAIN......等等。
正是西方哲學文化中某些無可迴避的成分,讓藝術家紛紛踏上了殉道的命運,進而出現了西方藝術死亡和終結的結局。
從更高的角度來看,這種死亡乃是一個超越活動的頂峰。必須這樣,藝術家才有從天才轉型成悲劇英雄的可能──而崇高(SUBLIME),本來就是現代藝術的本質。自殺,僅僅是一種現代藝術的完成。
但是,那只是西方文化的追求而已。在這一方面,我們可以武斷一點的說,西方文化錯了──如果死亡就是一種錯誤的話。
在中國古典美學的發展中,從來就無法形成嚴格意義上的「死亡」美學--也就無法誕生杜尚或達達主義這種穿著「國王的新衣」之藝術時尚。
當西方藝術走向了精神分裂的時候,中國傳統文人的形上學和宇宙觀,卻超越了這一個藝術死亡的困境。
我認為,這就是海德格從東方哲學得到最精采的其中一個東西。
本課程將探討這個問題。

課程內容:

空-本質-裸體-道-齊白石-能量美學-周易-味-老子-稽康-妙─和-山水畫-大巧若拙─唐伯虎-得意忘象-志怪-傳神-象形文字-觀物取象-石頭-玉-滌除玄鑒-黃藥師-張大千-禪境-莊子-戀物癖-春宮畫-大音希聲-返虛入渾-象外之象-李白-徐渭-天籟-詩無邪-文字崇拜-吳帶當風-玄-隱士-羅聘-潑墨法-遠-天人合一-米家山水-王維-文人畫-陳洪綬-氣-心齋-無用之用-意境-高行健-房中術-王維-苦瓜和尚-郎世寧-平淡-米芾-顧愷之-突現美學-甲骨文-環境美學-徐克-唐詩-黃公望-蘇軾-藝術之死─金庸-獨立蒼茫-林壽宇-八大山人-李公麟-揚州八怪-笑傲江湖-郭靖

參考書目:

<華夏美學>
<中國藝術精神>
<中國美學史大綱>
<美的歷程>
<道德經>
<南華經>
<本質或裸體>
<淡之頌>
<深層自然主義-莊子的現代詮釋>

講師:卡夕
80後,台灣中興大學中文系學士,台灣中央大學哲學碩士
(十二堂課)
開課:11/4/2017 -27/ 6/ 2017 (每逢星期二)
時間:8:00pm -10:00pm
地點: Lostgens‘ 當代藝術空間
8c, Jln Panggung, 50000 KL.

Monday, May 15, 2017

Lostgens'學社課程:馬來西亞史

課程簡介
1.本課程講授史前遺跡至馬來西亞當代的歷史。
2.本課程為通史性質,其教學內容在“通”不在“專”與“詳”。故略於細節的描述而重於通識的掌握、觀念的啟發與歷史意義的探索。
3.本課程的教學目的,在強化學生對馬來西亞歷史的認識和把握,同時引導思辨歷史論述的真偽,以及歷史論述背後的意圖。

課程主題

第一講:課程介紹,緒論
第二講:馬來亞史前史
第三講:印度化時期
第四講:马六甲王朝
第五講:葡萄牙時期
第六講:柔佛王朝與半島的發展
第七講:英國勢力的介入
第八講:近代馬來亞雛形的出現(1874-1941)
第九講:東馬砂沙的發展
第十講:戰前馬來亞社會的發展
第十一講:戰前的商業和經濟活動
第十二講:從日侵到馬來西亞的成立和發展

指定參考書
廖文輝《馬來西亞史》(雙溪毛糯:馬來亞文化出版社,2017)

講師:廖文輝

祖籍福建安溪,生於馬來西亞首都吉隆玻。國立臺灣大學歷史系畢,馬來亞大學中文研究所碩士,中國廈門大學歷史學博士。現為新紀元大學學院馬來西亞歷史研究中心主任、新紀元大學學院中文系高級講師、中國華僑大學華僑華人文獻資料研究中心兼職研究員。著有《許雲樵評傳》(新加坡八方國際出版社,2014)、《馬新史學80年——從南洋研究到華人研究(1930-2009)》(上海三聯,2011)、《華校教總及其人物(1951-2005)》(馬來西亞,2006)、《華教歷史與人物論集》(馬來西亞,2006)等書。曾參與中國之《世界華僑華人百科全書》、新加坡之Southeast Asian Personalitise of Chinese Descent: A Biographical Dictionary和馬來西亞之《馬來西亞華裔人物志》的撰寫;編著有《馬來西亞史》;編有《直涼華人志暨資料彙編》、《張禮千文集》、《許雲樵來往書信集》、《百年尊孔大事紀年稿》和《沈慕羽資料彙編》系列叢書,有七十餘篇學術論文發表於國內外。研究興趣是東南亞史和華僑華人。

開課:15/6/2017 -31/ 8/ 2017 (每逢星期四)
時間:8:00pm -10:00pm
地點: Lostgens‘ 當代藝術空間
8c, Jln Panggung, 50000 KL.

Thursday, April 20, 2017

AIR_Frankfurt: Open Call for visual artists






Kuala Lumpur and Frankfurt/ Main created a three-month residency exchange program for young Malaysian artists. The residency of the Malysian artist takes place in October, November and December 2017 with project partner Basis e.V. in the city of Frankfurt, Germany.
The project partners are The City of Frankfurt, basis.e.V, Lostgens Contemporary Art Space and the Goethe-Institut Malaysia. The program aims to foster international interaction between Frankfurt and Malaysian artists. The idea is, in the course of three-month artist residencies, for artists from Malaysia and Frankfurt to have an opportunity to attain new artistic input abroad, creating new work and building their international network.
Requirements
 

This program is intended for young artists who live and work in Malaysia. The artists should be highly qualified and successful graduates of an art college. To be fluent in English is a further requirement. Applicants are selected by a jury appointed by the relevant city. Incomplete applications will not be considered.
The Residency
 

The residency program provides the chosen artist with the flight costs, accommodation, a studio and a monthly grant of EUR 1000.

Jury
Applicants are selected by a panel of juries appointed by the relevant city. An independent jury awards up to five candidates and proposes them to the partner-city, Frankfurt. The director of the program at the partner-city selects one artist out of the five nominees.


How to Apply
Malaysian artists may apply for the Artist in Residence Program by submitting a detailed
application to Goethe-Institut Malaysia. A complete application consists of:

• A letter of motivation with date and signature
• Artist Bio and CV
• The application form with work samples and a description of site-specific projects, if planned.


Applications need to be handed in by postal service in hard copy as well as digitally via e-mail. Your application is classed as complete only when all accompanying documentation has also arrived.
Postal address and contact:
 

Goethe Institut Malaysia
Suite 06-07, 6th Floor,
374 Jalan Tun Razak,
Kuala Lumpur, 50400, Malaysia
+60 3-2164 2011
david.ngui@kualalumpur.goethe.org
Subject: AIR_Frankfurt-Kuala Lumpur

Application Deadline: 15 June 2017
 

Application form download: https://ablage.goethe.de/?f=2a8a61a837

聲音.結社 - 在黑夜的死寂中歌唱Voice十週年







主講人陳忠敏銘講述了如何一路走來,從《革命》cafe的憤青,
到現在《Voice》cafe 和《深夜講堂》成為社會發聲器及深耕社區。
Voice, 超越了空间的极限,用音乐与艺术回应土地议题,社会正义及环保课题。
在空间的营运上坚持独立自主,讓社會資源應用在真正需要的地方。
Voice十年,繼續沿著理想及堅持,往社會的深處走去。

Saturday, April 15, 2017

Friday Night At Lostgens' : Art History Screening



Make your friday night interesting for a change! Fancy Art History viewing the "old school" way? Lostgens contemporary Art Space is screening Art History on VHS tapes on the following dates.

21st April
Andy Warhol
5th May
Joan Miro / Theatre of Dreams

19th May
Max Ernst / Dadaism and Surrealism
2nd June
Jackson Pollock abstract expressionism

16th June
Robert Motherwell & the New York School

All screenings starts at 8PM followed by an informal lecture by KS Yuen (non-art historian)

Tuesday, April 11, 2017

聲音.結社 - 在黑夜的死寂中歌唱Voice十週年.


聲音. 結社 - 在黑夜的死寂中歌唱Voice十週年.


日期: 7-4-2017
时间:8pm
 
主講人:陳忠敏銘
台灣中壢市中原VOICE深夜唱片行店長.台灣獨立唱片公司
JBJF RECORDS老闆

台灣VOICE深夜唱片行,深夜講堂已邁入完完整整的十年了!
從2001年所成立的革命唱片行結束.重新出發到現在的VOICE.
我們對於國家.土地.文化都有許多的想法.

2017年是我們重新檢視過去十年.思考未來十年的重要時刻!
對於VOICE最重要的論述經過十年的實際運作下.
終於找到最明確的宣言!
將在今年6月4日,VOICE 將在中壢舉辦在黑夜的死寂中歌唱Voice十週年,當天將邀請11組音樂人來現場參與演出.

在這十年來我們從未拿取政府的任何經費及資源下.
紮紮實實且一步一步的辛苦經營下來.
配合6月4日的活動,在吉隆坡的講座將會和大家聊VOICE的精神及歷史.

Friday, March 24, 2017

People as Centre: Socially Engaged Art Curating in Taiwan


People as Centre: Socially Engaged Art Curating in Taiwan
Speaker: LU Pei-Yi 呂佩怡 ( Taiwan )
Language: English
Date: 1th of April, 20:00-22:00
Organized by / Lostgens’+ CCSCA

‘People as Centre’ is a critical point of curating Socially Engaged Art. This talk will focus on this point and take the exhibition “Micro Micro Revolution”, taking place in the summer of 2015 at CFCCA, Manchester, as a case study. This exhibition aims to explore the power of art as a vehicle to address social change in Taiwan through three socially-engaged art projects: “A Cultural Action at the Plum Tree Creek”, “Plant-Matter Needed” and “500 Lemon Trees”. These ongoing process-based, participative projects use art as a vehicle for addr
essing environmental issues, as a form of resistance, and as a platform for exchange. The great challenge of this exhibition is how to present socially engaged art projects that might be very rooted on specific culture and local socio-political context to the oversea audiences who might even not know where Taiwan is. Through this exhibition, some related socially-engaged art projects from Taiwan will be introduced.

Reading Material :
http://www.artzip.org/micro-micro-revolution
http://www.cfcca.org.uk/archive/2015/saturday-supplement-taiwanese-art-in-action

About Speaker/
Pei-Yi LU is a curator, researcher and art critic, based in Taipei. PhD in humanity and Cultural Studies (London Consortium), University of London. Her research interests are off-site art, museum studies and curating in theory and practice. A research-based book edited by her Contemporary Art Curating in Taiwan (1992-2012) was nominated the 10th Award of Art China. Her publications include “Off-Site Art in Taiwan, Hong Kong and China” Special Issue of Yishu: Journal of Chinese Contemporary Art (2010), the edited book Creating Spaces- Post Alternative Spaces in Asia (2011) and the book Off-Site Art curating (2011). She was an associate curator of 8th Shenzhen Sculpture Biennale “We Have Not Participated” (2014); curator of "Micro Micro Revolution"(2015) for Centre for Chinese Contemporary Art (CFCCA); co-curator of “The 5th Taiwan International Video Art Exhibition-Negative Horizon”(2016). She had been teaching at Taipei National University of the Arts and Hong Kong Chinese University.Now, as a program leader of Critical and Curatorial Studies of Contemporary Art (CCSCA) at National Taipei University of Education.

Sunday, March 5, 2017

Decolonizing Philosophy: Reading Deleuze and Guattari

 

何谓哲学?:" 細讀德勒茲和瓜達里的非殖民化哲學 "

Decolonizing Philosophy: Reading Deleuze and Guattari

课程介绍
在本課程中,我們將閱讀德勒茲和瓜達裡 (Deleuze and Guattari) 的主要哲學著作。德勒茲和瓜達裡是六七十年代在法國最有影響力的哲學家,不但影響了當代二十一世紀的哲學的發展也影響了許多藝術,文學和電影理論的發展。我們將研究德勒茲和瓜達裡如何使用哲學概念與殖民主義哲學抗爭。從而,我們也將進行非殖民化德勒茲和瓜達裡哲學的工作. 我們也會討論其他非殖民化作家有如Fanon的著作。我們將閱讀的著作包括德勒茲和瓜達裡的“反伊迪帕斯”(1972),“卡夫卡:邁向少數文學”(1975)和“卡夫卡:邁向少數文學”(1975)。

讲师:
薛承兴博士 (Dr. Tony See)
新加坡国立大学(National University of Singapore)/ 欧洲研究学院 (European Graduate School)

课程纲要
非殖民化哲學
殖民主義, 後殖民主義, 非殖民哲學
德勒茲和瓜達里的《反伊迪帕斯》(1972)
德勒茲的非殖民化哲學
少數文學, 成為-動物,成為-女人
德勒茲和瓜達里的《卡夫卡:邁向少數文學》(1975)
德勒茲和瓜達里的創意哲學
創造 (Creation), 概念 (Concepts), 事件 (Event)
德勒茲和瓜達里的《何謂哲學?》(1991)

(6堂課)
開課:22/4,23/4,29/4,30/4, 6/5, 7/5 2017 (每逢星期六,日)
時間:1:00pm -4:00pm
地點: Lostgens‘ 當代藝術空間
8c, Jln Panggung, 50000 KL.
主办: Lostgens’ 學社

学费: Rm 300 ( 共6堂课)
单堂课 Rm 50
报名方式:請在4月15 号之前將學費存入 Lost generation gallery
514114444696 Maybank
然後將收據,姓名,职业及联络 Email 到 lostgens@gmail.com
询问: Whatsaap 019-6838397

谢谢!